笔日札记
博尔赫斯说，他一辈子大部分的时间都花在重读。要写服务于重读的书，拍和陈列能够反复看的书，做能够细细品味不会腻的足够复杂的人。万物都是空洞的，而唯独人所处的时间是真实的。过去是空的，未来来亦是假的。你我的当下这个时空虚实，要学会尊重它。
photography is not/ photography is
摄影不是
胶片全半画m43大画幅8乘1010乘125乘74乘5
摄影不是
数码算法底芯传感器科技像素精度锐度噪点高低
摄影不是
想拍某物去记录下来将放到永不见天日的库存底部
摄影不是
完美的构图色彩工艺复杂的技巧和繁复的装饰画面和手法
摄影是
刺耳铁轨的鸣叫声
摄影是
断裂掉在地上的时针
摄影是
无声音横穿森林的暖光巨兽
摄影是
死寂的旷野上不计数萤火虫留下的炫光
摄影是
街道随着行人在流淌
摄影是
如水的记忆随着重力坠入火山的谷底
摄影是
新买陶瓷碟摔碎在了地上的不安全感
摄影是
对自我精神分析式赤裸和残忍的解剖
摄影是
所有童年的喜怒哀乐极致的欢愉和暗淡的创伤
摄影是
爱人在床头耳畔的低语
摄影是
噩梦中惊醒无法逃脱隐喻的辗转和苦痛
摄影是
无尽的汪洋和望见触不及的满月
摄影是
尘封在箱底盖满灰尘的赤黑底片
摄影是
摄影不是
You know,there is no way to use a determined future to help belt one's future. Neither there is a specific moment in one's life that one could call themselves ready.
Thus, the question lies not in whether or not what you are pursuing is important, but where exactly are you losing or your sense of security or where you shall get it? I deem it completely unrelated to the infinity of hustling culture.
To say that an artist would die at the age of 30 implies the disappearance of a certain tension. Artists are like wild animals seeking to fulfill their libidals through the constant battle against and alongside nature to find their preys.
Such tension, however, specificly falls only into the category of immaturity and pubity, which sometimes could be prolonged. Alas any elongated tension that requires unresolved psychological issues will eventually fade away with the tides and ebbs of time.
